Harmonics (2015) for piano with MIDI sensors, 10’
commissioned by Kate Ryder
premiered at Goldsmiths College, University of London, December 2017

Mysterium Coniunctionis (2014) for carillon, 5’
commissioned by Tiffany Ng for the Berkeley Campanile Centennial
premiered at Berkeley and carillons around the world, April 2015

The Shape of the Shell (2010) for bass clarinet and live electronics, 9’
commissioned by bass clarinettist Laura Carmichael, with assistance from the Center for New Music and Audio Technologies (CNMAT) premiered at the National Clarinet Association Conference
University of Texas, Austin, TX, July 2010


Riffle: a fantasy, after Bach (2010), for solo harpsichord, 5′
commissioned by harpsichordist Jane Chapman
premiered at Music Sources, Berkeley, CA, March 2010

Sylvan Pieces (2009), for solo piano, 25′
in five movements
premiered at the Garden of Memory event, Chapel of the Chimes Oakland, CA, June 2009
recorded by Cox (Albany Records, TROY1223)


The Open Frame (2004) for solo harpsichord
premiered by Jane Chapman
Southampton University, Southhampton, UK

The blackbird whistling/Or just after (2007),
for amplified troubadour harp, 6′
commissioned by Victoria Jordanova, premiered in Hertz Hall, Berkeley, 2007
recorded by Victoria Jordanova (ArpaViva)

Hierosgamos IV (2006) for amplified troubadour harp, 5′
premiered by Victoria Jordanova, April 2006

The Open Frame (2004), for harpsichord, 5′
premiered by Jane Chapman,
Southampton University, March 2007

The Other Side of the World (2003) for flute and electronics, 4′
commissioned by Nina Assimakopoulas, as part of the Laurels project (commissioning American women composers)
premiere Houghton College, March 2004
recorded by Nina Assimakopoulas (Capstone Records, CPS-8759) and Laurel Zucker (Cantilena Records)

Hierosgamos (2003) for solo piano, 30′
premiered by Cindy Cox, piano
Cal Performances Edge Festival, Berkeley, June 2003
recorded by Cindy Cox (Albany Records TROY955)

The blackbird whistling/Or just after (2001) for solo piano, 4′
commissioned by Sarah Cahill
premiered December 2001, Merkin Hall, New York


Hysteria (2000) for trombone and live electronics, 9′
commissioned by Abbie Conant
premiere in Trossingen, Germany, Nov 2000

White Moths (1994) for trombone and electronic effects, 8′
commissioned and premiered by Andrew Glendening
University of Louisville, Louisville, KY, 1995

Darsana II (1994) for solo piano, 9′
premiered by Cindy Cox, piano
University of New Mexico, April 1994

Darsana I (1993) for Yamaha Disklavier, 9′
premiered by Cindy Cox, San Jose State Univ., Nov. 1993

Elegy (1990) for violin solo, 5′
premiered by Naomi Katz, Charles Ives Center for American Music, 1990