Category: Music
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Wakah-chan (SSAA)
Year composed: 2025Duration: 4′Instrumentation: women’s voices (SSAA) with soprano, mezzo-soprano, and alto soloists Notes: Commissioned by the Peninsula Women’s Chorus, to be premiered April 17-19 at Meetes the Eye Studio, San Carlos, CA. The text of Wakah-chan is by John Campion and Cindy Cox and draws from the spiritual tradition of the K’iche’ Maya. The…
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A vine follows the path
Year composed: 2025Duration: 9′Instrumentation: 2 sanjo gayageums and string quartet Notes: A vine follows the path was commissioned by the Korean Experimental Music Festival 2025, and was premiered in Berkeley and Santa Cruz by members of the National Gugak Center of Korean and the Del Sol String Quartet. A vine follows the path, took shape…
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Etude No. 2: “Mallets”
Year composed: 2014Duration: 4’30”Instrumentation: keyboard sampler Premiere “Mallets” at the Leo Brouwer Festival of Music, Havana, Cuba Notes: Several years ago I began working with a database of piano recordings of the beautiful grand in UC Berkeley’s Hertz Hall. Four tones (C, E-flat, F-sharp, and A) in every octave were carefully sampled using multiple playing…
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Chabot Reservoir
Year composed: 2025Duration: 9′Instrumentation: cello and piano Commissioned by the No Exit Ensemble for The Collective Premiered in June 2025 at the American College of Greece, Athens, the Morlacci Conservatory in Perugia, Italy, the Akademii Muzycznej in Warsaw, Poland, and the Vondelkerk in Amsterdam, Netherlands Perusal score Notes: In summer 2024 I spent a week…
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Into the Light
Year composed: 2021Duration: 3′Instrumentation: solo violin Commissioned by Dan FlanaganPremiered at the National Opera Center, New York City 10/3/2022Performed at Weill Recital Hall at Carnegie, New York City, 3/25/24 Interview with Dan Flanagan for Vents Magazine (November 1, 2023) Notes: Into the Light was commissioned by Daniel Flanagan, as part of a series inspired by…
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Blackwork, Scarletwork
Year composed: 2021Duration: 7′Instrumentation: string trio (violin, viola, cello) Commissioned by the No Exit Ensemble for The Collective and premiered at Weill Recital Hall at Carnegie, 5/12/2022 Notes: Blackwork and Scarletwork were types of embroidery common in the Renaissance, especially in Spain. They were used to decorate fine clothing with counted black or red thread…
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Implicate Order
Year composed: 2023Duration: 7′Instrumentation: solo piano Commissioned by Jared Redmond and premiered at Hertz Hall, Berkeley 2/14/24 Notes: The term “implicate order” was coined by physicist David Bohm in the early 1980s to describe underlying and unifying forces in the universe. Bohm saw subatomic particles not as essential building blocks but as elements derived from…
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what music the stops allow
Year composed: 2024Duration: 8’30”Instrumentation: string trio (violin, viola, cello) Commissioned by Dan Flanagan and the Solano Trio, with funding from InterMusicSF what music the stops allow was premiered at the Piedmont Center for the Arts inNovember 2024. Notes: what music the stops allow is inspired by a textural painting by John Campion –Cindy Cox back…
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Barriers: Two/One
Year composed: 1988, rev. 1993Duration: 10′Instrumentation: flute or violin, clarinet or soprano sax, piano Notes: Premiered by Tridib Pal, Susan McGinn, and Cindy Cox, Indiana Univ., 1990Performed by the Verdehr Trio, Merkin Concert Hall, New York City, 1993 back to full catalog
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[Four Studies of Light and Dark]
Year composed: 1989Duration: 14′Instrumentation: percussion and piano Commissioned by Kay Stonefelt and premiered at Indiana University, February 1990. Notes: [Four Studies of Light and Dark] is actually a six movement work, with the first and last movements, I and VI, forming an outer frame. The structure is organized symmetrically, with II and V illustrating light…